REVIEW: Mirrors @ Leicester Square Theatre

Reviewed by Alex Kirk

Written and performed by Siobhan McMillan, Mirrors is a clever and humorous take on the classic Snow White story.

In Snow White, the Evil Queen discovers that there is another maiden in the land who dares to be fairer than she, and begins a hunt to kill her. In Mirrors, the Evil Queen is one of many personalities living inside the head of an enthusiastic yet entirely unoriginal and naive YouTube vlogger called ShyGirl, with a grand total of 30 subscribers.

When she is stood up by her ‘boyfriend’ (who merely uses her for sex and shows no romance at all), she becomes Shivvers – our ‘Evil Queen’ – a much more confident and down to earth character, who guides us through the story when her mirror tells her that she is no longer the most gorgeous woman alive, and begins her pilgrimage to kill her.

McMillan’s writing is clever and endearing, using mystical fairy-tale language to narrate the story, interjected with insults and stereotypes more commonly found in Facebook memes and ‘trash’ humour; the first woman that Shivvers believes is her new enemy is given the name ‘Bitchface’, and later in the play we hear all about another character’s love for chips and hummus (which was served to the audience after the show!). McMillan gives a strong performance throughout the play, in all of her characters, sometimes switching between them on alternating lines. She gives a masterclass in characterisation.

Gabi Maddocks’ direction is brilliant as well, and utilises the space superbly. The Lounge at the Leicester Square Theatre is a highly intimate space, and yet every single corner of the room is used throughout the show, thoroughly gripping your attention. The fairy-tale language in McMillan’s script parallels the fake oh-so-perfect world that YouTube vloggers pretend to have, and Maddocks’ direction heightens this further with some brilliant comedy moments – a personal favourite moment being ‘magical’ bubbles coming from a techie blowing very loudly at the back of the theatre. This is a production that is very self-aware and embraces its innocence and intimacy, and it is this that makes it such an endearing piece of theatre that will have you invested in ShyGirl’s journey.

Snow White parallels aside, I cannot compare this show to anything else. It’s thoroughly unique, totally personal, and I really enjoyed it.

4stars

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REVIEW: Myth @ The Other Palace

Reviewed by Nathan Deane

Only in the workshop process, Myth is a new rock musical based on the Greek legend Orpheus. The show is presented semi-staged and aims for a full run in the near future.

The show tells the story of Orpheus, a rock-star in his band The Argonauts, with bandmates Jason and Theseus. The Moirai (fates) have their eye on Orpheus and change his fate. They get his band a record label at Underworld Records overseen by Hades and his right-hand woman Medusa, tempt Orpheus with “viper”, a harmful drug, and eventually lead his girlfriend, Eurydice, away from him, leaving Orpheus to quest through the underworld to find her.

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The show was spectacular from start to finish. Before going in to the show, I wasn’t really educated on the stories of Orpheus so it was a pretty strange introduction to the myth, I’ll admit. However, I’m a sucker for rock musicals, so seeing a brand new British rock score was incredible.

The music, book and lyrics, by Sam Cassidy were refreshing and vocally challenging. While it is a rock musical, Cassidy mixed various other styles into the score, most notably rap. This made the music extremely interesting and the cast were working their asses off to sing the score perfectly, which they did.

Orpheus, played by Joel Harper-Jackson, was an extremely well-written character. He has quite an intense character arc, and Harper-Jackson plays the role perfectly. His vocals were pretty insane, and he acted the part flawlessly.

The three fates, Atropos, Lachesis and Clotho, played by Jodie Jacobs, Jodie Steele and Eloise Davies, respectively, provided powerhouse vocals throughout the show and basically narrated the story, overseeing act one and most of act two. These 3 characters were my favourites as they got the best songs and provided the tightest harmonies on the London theatre scene right now.

Matthew McKenna played Hades, the comedic antagonist of the piece. He was smooth and charming, yet truly villainous at heart. McKenna was hilarious and this role was absolutely perfect for him. His sidekick, Miss M, also known as Medusa, was played by Zoe Birkett. Birkett provided a seductive, sassy feel to Medusa and some of her lines had me laughing out loud.

Diana Vickers played Eurydice, Orpheus’ girlfriend. Vickers played the role well, providing vulnerability but also strength at points. The fact that she is hardly seen after act one is incredibly sad, as Vickers’ talent deserves to shine, but she does get to showcase, she gives everything she’s got.

This show is absolutely incredible. It’s unlike anything I’ve seen, and it’s deserving of a longer run.

5stars

Myth runs at The Other Palace until 17th March 2018. Click here for tickets and more information.

 

Olivier Awards Nominations: MY PREDICTIONS

Written by Nathan Deane

It’s not common practice to predict nominations for awards ceremonies. But the 2017-2018 theatre season in London was so great that the Olivier Eligibility is one of the best things I’ve ever seen. I feel like I have to tell everyone (is predict the right word? Oh well.) what I hope is nominated for the Theatre section of the Oliviers this year! I’ve limited myself to 3 or 4 nominations per category. These are not the official nominations; just my predictions/wishes.

Best Revival

The Birthday Party – Harold Pinter Theatre

Frozen – Theatre Royal Haymarket

Glengarry Glen Ross – Playhouse Theatre

Stepping Out – Vaudeville Theatre

New Play

The Ferryman – Gielgud Theatre

John – National Theatre (Dorfman)

Lady Day At Emmerson’s Bar & Grill – Wyndham’s Theatre

Pinocchio – National Theatre (Lyttleton)

New Comedy

Labour of Love – Noël Coward Theatre

Mischief Movie Night – Arts Theatre

The Miser – Garrick

Musical Revival

42nd Street – Theatre Royal Drury Lane

Follies – National Theatre (Olivier)

On The Town – Regent’s Park Open Air Theatre

New Musical

Everybody’s Talking About Jamie – Apollo Theatre

The Grinning Man – Trafalgar Studios

Hamilton – Victoria Palace Theatre

The Toxic Avenger – Arts Theatre

Entertainment & Family

Dick Whittington – London Palladium

Five Guys Named Moe – Marble Arch Theatre

The Hunting of the Snark – Vaudeville

Affiliate

The B*easts – Bush Theatre

tick, tick…BOOM! – Park Theatre

Room – Theatre Royal Stratford East

Disco Pigs – Trafalgar Studios 2

Charlie’s Top 10 Shows of 2017! 

By Charlie White

So this year I have been lucky enough to see some incredible shows and trying to rank them  has been one of the toughest decisions ever! But here we go, my top 10 shows of this year are…

10: The Wild Party

The Other Palace

A rather adult themed show involving a group of people in the 1920s throwing a party which got a bit out of control (to put it lightly). I think the general concept was good and the people were great, just didn’t really have enough substance for me.

9: Priscilla Queen of the Desert

Courtyard Theatre, Hereford

A fun loving heart warming story which tells the tale of drag queens making there way across australia to perform their act. But for one of them, there’s a slightly more personal motif for heading on the road. Even though this was just an amateur production, the talent was amazing and it was such a fun show with all the cheesy hits you know and love.

8: The Wedding Singer

Touring

I managed to see this on tour with the wonderful Jon Robyns playing ‘casualty of love’ wedding singer Robbie Hart who gets his heart broken on his wedding day. He then meets a certain young woman who might just be able to fix it…whilst helping to plan her wedding! Classic 80s vibes and really enjoyable show (plus Jon Robyns is super talented and hilarious in this role).

 7: Mamma Mia

Novello Theatre

Using the great well known Music of Abba, this show takes us on a journey to a Greek island where a young girl is about to be married, but before she does , she wants her father to walk her down the aisle. The problem is, she has invited all 3 possible dads! Great night out with all the Abba hits and loveable characters with a heart warming story.

 6: Aladdin

Prince Edward Theatre

The classic Disney tale of the diamond in the rough who goes from ‘street rat’ to Prince Ali and shows Princess Jasmine a whole new world whilst trying to stop the evil doings of the royal advisor, Jafar. Great show stopping numbers like Friend Like Me, this is a perfect pick for the younger ones.

 5: 42nd Street 

Theatre Royal Drury Lane

With the biggest cast in the West End, 42nd street is a spectacle of dancing feet as they try to get to Broadway but with the leading lady Injured, can they convince newbie Peggy Saywer to step in and wow the audience. The sheer size of this cast makes it very impressive with toe tapping numbers like lullaby of Broadway, it’s a definite crowd pleaser.

 4: Our Ladies of Perpetual Succour

Duke of York’s theatre

When a group of young Scottish girls go to Edinburgh for a choir competition, they decide to see what sort of trouble they can get up to (the answer is quite a lot). But whilst beautifully singing classic songs from ELO, we see how each of the girls find themselves as we witness this journey of discovery. The music was a great accompaniment to the story and the harmonies were spot on!

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 3: Half A Sixpence 

Noel Coward Theatre 

Years after Arthur Kipps leaves his childhood sweetheart to work selling haberdashery, his life changes when he discovers he’s come in to a large amount of money. Living the life of luxury, he courts a fine young lady from a wealthy family. However, when he is reunited with his childhood sweetheart, he wonders if he’s made a mistake. I actually thoroughly enjoyed this show, Charlie Kemp really does shine and the energy in this show is fabulous!

 2: The Toxic Avenger 

Arts Theatre 

A town called Tromaville in the state of New Jersey has a new smell in town..it’s giant vats of toxic nuclear waste! So who will save New Jersey? Melvin ferd the third! After being tossed in to the nuclear waste, he came out a ‘big green freak’ but luckily he’s in love with a visually impaired librarian (thank God she’s blind!) and he uses his new found powers to save the town from Jersey girl mayor Belgoody and the toxic nuclear waste. This show was so hilarious my cheeks actually ached from smiling and laughing so much and David Bryant did a fantastic job with the soundtrack.  Click here to read our full review of The Toxic Avenger!

 1: Lizzie the Musical

Greenwich Theatre

The infamous story of Lizzie Borden and the unfortunate death of her father and step mother told in unique way. With a cast of just 4 incredibly talented women, a fantastic rock score goes alongside this gothic mystery based on a true case of what might have happened in the House of Borden. I have to admit I was a bit unsure when I first went to see it but by the end I absolutely fell in love with it. The girls rocked it with insane voices,  a unique story and it’s such a shame it didn’t get a longer run. Click here to read our full review of Lizzie The Musical!

Nathan’s TOP 10 SHOWS of 2017!

By Nathan Deane

Ah, yes. The time has come for us to look back on what we saw in 2017 and put together our top 10 of the shows we saw.  I’ve been working on mine for the past week, and now I’ve seen my last new piece of theatre for the year, here’s my top 10!

10: tick, tick…BOOM!

Park Theatre

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“tick, tick…BOOM!” is Johnathan Larson’s autobiographical musical, often overshadowed in the success of his other musical, Rent. The production was directed by Bronagh Lagan, produced by Aria Entertainment and Joe C Brown, and starred Chris Jenkins, Gillian Saker and Jordan Shaw. This production was immersive, minimal and wonderful. I thoroughly enjoyed every minute of it.

9: Bananaman: The Musical

Southwark Playhouse

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Based on the comic strip and animated TV series, Bananaman tells the story of Eric Wimp, an average schoolboy, who turns into a superhero (the titular Bananaman) whenever he eats a banana. Directed by Mark Perry, produced by Sightline Entertainment and starring a large cast, the show is brand new for 2017 and was an extremely fun, camp and silly night out.

8: Hair

The Vaults

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Back for it’s 50th anniversary, Hair tells the tale of a tribe of hippies in New York’s Central Park. This production was fresh, vibrant and extremely fun. Read my full review of Hair here.

7: Lady Day At Emmerson’s Bar and Grill

Wyndham’s Theatre

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Starring the incomparable Audra McDonald, Lady Day shows us one of Billie Holiday’s very last concerts before her death in the 60’s. The show is painfully beautiful, and Audra’s performance as Billie Holiday was truly spectacular. The play made me cry, laugh and feel many different emotions. I was lucky to have been able to see the show twice.

6: Everybody’s Talking About Jamie

Apollo Theatre

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One of London’s newest musicals, Everybody’s Talking About Jamie tells the true story of Jamie, a 16 year old boy who wants to be a drag queen and go to prom in a dress. The story was relatable, emotional and often funny. John McCrea is a real star in the making, and Dan Gillespie-Sells’ music is catchy and modern.

5: The Toxic Avenger

The Arts Theatre

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Taking the mick out of superhero movies is a tricky game, but The Toxic Avenger does exactly that. And it’s hilarious. Read my full review of The Toxic Avenger HERE!

4: The Wild Party

The Other Palace

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Gin, skin, sin and fun are four words to describe this devilishly delightful show. This show was sexy, emotional and…wild. The cast were sensational, and Michael John LaChiusa’s music is terrific. It tells the story of Queenie and Burrs, two love-birds stuck in a relationship going nowhere. To spice things up a bit, they throw a party fuelled by bathtub gin, sex, and cocaine. It also features themes like murder, racism, and various other things…some worse than others.

3: Pinocchio

The National Theatre

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Colourful, wonderful, and magical. This show can brighten even the darkest winters. Read my full review of Pinocchio HERE!

2: Our Ladies of Perpetual Succour

Duke of York Theatre

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What happens when 6 Scottish schoolgirls go out on the town in Edinburgh before the nation’s biggest choir competition? Well, that’s what Our Ladies is all about. The fiery cast of 6 girls backed by a 3 piece band, singing songs ranging from Mendelssohn to ELO made hairs stand on end. The story is wonderful, it’s not just about girls getting wasted, it’s about discovering yourself in your teenage years. And that’s a tricky thing to get right, but Our Ladies of Perpetual Succour did it beautifully.

1: Lizzie

Greenwich Theatre

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4 women singing killer rock and roll songs in tight leather whilst telling the story of American murderess Lizzie Borden? Sounds epic. And this show was epic. Only playing 20 performances means only a small handful of people got to experience this fierce production. Let’s hope it gets a revival soon! Read my full review of Lizzie HERE!

REVIEW: Pinocchio @ National Theatre

Reviewed by Nathan Deane

When you hear the name Pinocchio, you’ll probably think of the 1940 Disney movie. A lot of people don’t know, however, that Pinocchio is based on a children’s novel written in 1883 by Carlo Collodi, an Italian writer. So when a lot of families walk into the Lyttleton Theatre at the National Theatre to see the new musical version of Pinocchio by Dennis Kelly, they’re probably not going to realise that this is a combination of the original story and the Disney film. The original story was a much, much darker tale of boyhood and Dennis Kelly went about translating the darkness of the original story onto the stage, with the help of Martin Lowe, who adapted the five original songs from the Disney film to be suited for a full-length musical.

Visually, this show is stunning. The design, by John Tiffany, is the most beautiful set design I’ve seen all year. The use of ladders on wheels to represent faraway houses, a bridge, and cars, for example, is extremely creative. The set was a lot less whimsical than what was happening in the show as if to say that the characters are living in a normal world – not a fantasy world.

The role of Pinocchio is played by Joe Idris-Roberts whos boy-like energy and wonder are spectacular. He really captures the spirit of a boy seeing the world around him for the first time perfectly, and his movement to make him seem wooden is great. But what’s a puppet without his maker?

The role of Gepetto, and all the other adult parts really, are played by large rod-operated puppets, designed by Bob Crowley. This is a unique way to show the size of Pinocchio compared to others, and it works. Each puppet has four or five puppeteers operating it, one of which is the voice actor for the puppet. It took some time to get used to, but it was extremely creative and it fits the story, too!

Audrey Brisson plays the conscience everyone knows and loves, Jiminy Cricket. Jiminy is portrayed by a small puppet, operated by Audrey and another puppeteer, James Charlton. The two worked brilliantly as a team to operate Jiminy, and Audrey’s portrayal of the character is hilarious. In this version of the story, Jiminy is a female hypochondriac who is very easily annoyed by Pinocchio.

Other standout performances for me were by Dawn Sievewright as Lampy, one of the boys from Pleasure Island. Lampy is aggressive and cocky and suffers a horrible fate. Do you remember that scene from the film in which the boys at Pleasure Island are turned into Donkeys? Yeah? Well, imagine that…just in real life. That scene turned dark super quickly, but it helped to keep the atmosphere going. Jack Wolfe played Waxy only briefly but he was a standout performer. His character made me laugh a lot and his interactions with Lampy and the rest of the cast were brilliant. And you can’t forget the story’s villain, The Fox, played by David Langham. David brought a completely new take on the part. In the film, the Fox was a smooth-tongued, persuasive and charming animal. Whilst the Fox, in this version, is persuasive, he looks and feels truly evil, a trait that David plays really well.

The show really only had the five songs from the Disney film in it. I didn’t sense any new original material. Because there were only five songs and various reprises of those songs, I feel this show is more of a play with songs than a musical.

Overall, I really loved this piece. From the set design, to the puppets and to the actors, this show is one not to be missed over the Christmas season!

5stars

 

REVIEW: Venus In Fur @ Theatre Royal Haymarket, London

Reviewed by Sophie Reed

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Don’t mess with a goddess. That’s the tagline of this play. And boy should you take that advice! The play, written by David Ives, tells the story of playwright Thomas and actress Vanda. Vanda comes in late to the audition for Thomas’ new play adapted from the 1870 novel Venus In Furs by Leopold von Sacher-Masoch. and this is the man we get the word Masochism from.The play is filled with Marxism, sex and Greek/ Roman mythology.

Natalie Dormer, from Game of Thrones and Hunger Games fame, plays the role of Vanda. As well as being stunningly beautiful, she’s an extremely talented actress. The difference between her Vanda and her acting Vanda (her character had the same name as the character she was auditioning for) was so evident. The way she changed her voice from American, to British, to German so easily requires a lot of skill.

Victoria star, David Oakes, plays opposite her. His commanding stage presence is perfect for the opening show. His fluidity to change between dominating and submissing is so flawless. The two actors have such a good connection and the fight for dominance is so quick and clear. The overall play has an amazing plot and set out beautifully, using such a simple set. In addition, I was glad there was no interval because it was so intense the whole way through it would have broken up the dynamics of the show.

I give this show 5* for a beautiful, sexy, intense night out! You can catch it a the Theatre Royal Haymarket until the 4th of December.

5stars

He’s Here…- The Phantom of the Opera New Cast Review

Reviewed by Sophie Reed

Phantom of the Opera, a timeless classic that has been running on the West End for 31 years. I went to see the new cast at the evening show of the 19th of October and was thoroughly impressed. For me, it’s in my top 5 favourite musicals and I can be quite critical when it comes to the performance. Along with this performance, I’ve seen the show 3 times live on stage and this performance definitely lived up to my expectations.

The first actor I’ve got to talk about is Ben Lewis who has just taken over as the Phantom. Ben is probably most well known for playing the Phantom in the shows sequel, Love Never Dies, a performance which I have seen and wasn’t very fond of. Because of this, I was quite anxious about what he would be like as the younger Phantom. Ben is most definitely better suited to Phantom than to Love Never Dies. There was something about the Phantom score that is better suited to his voice. In addition, for someone who has only be playing the role on stage for a month, it came very naturally to him. I don’t know whether if this was because he’s played another version of the Phantom before, but if not, god he was good. My favourite part of his performance was in the Final Lair when Raoul shows up. Ben, just sits on his throne, utterly bored at Raoul’s pleas to see Christine. His ‘Your lover makes a passionate plea’ was more mocking than it was threatening. Also, in ‘Stranger Than You Dreamt It’ the difference between masked and unmasked Phantom was so clear, he wasn’t just using the mask to cover his physical problem, but also his emotional problems. It was nice to see a different take that I hadn’t seen before.

The next member of the company that needs to be discussed is Kelly Mathieson, who played the role of Christine. WHAT A VOICE! Her high notes were just perfection and so was her acting. During Notes II and ‘Wishing’ you could see how broken, confused and scared Christine was. My favourite part was when she sobbed into her cloak between the ‘and speaks my name’ line and ‘Little Lottie’ in ‘Wishing You Were Somehow Here Again’ it made her seem more vulnerable, it made Wishing seem a lot more than Christine missing her father. Kelly made it seem like Christine was begging for strength. It really struck me. However, by the final lair, her Christine was feisty! She was blocking and protecting Raoul for her life. Her ‘You deceived me’ was just mind blowing, she screamed it, like she did not care anymore.  In addition, another thing I liked was the face that Kelly is a trained ballet dancer, I was almost annoyed that Christine doesn’t get a lot of dancing in the show apart for ‘Hannibal’ and ‘Masquerade’ because it would’ve given her more chance to show off those skills.

At the performance, the actor who played Raoul was the 1st Cover, Jordan Simon Pollard and he proved, that understudies are just as good as the covers. This was his first day on as Raoul and looked like he’d been playing the role for years. A favourite part of his performance was in ‘All I Ask of You’ when he dipped Christine into a kiss. It was so romantic! Another part of his performance that I liked was that you always felt liked he protected her, not just because it was his duty, but also because he really loved her. His reaction to the Phantom and Christine kissing was also utterly heart-breaking.

The other main characters were also particularly strong. Georgia Ware who played Meg Giry, brought a new innocence to a usually bland character. Paul Ettore Tabone and Lara Martins chemistry on stage make the Carlotta and Piangi romance seem more real, genuine and less staged than what I’ve seen in the past. In addition, they’re comedy timing was next to none. Siôn Llyod as Firmin and understudy Andre, Richard Kent, both held the comedy timing needed for the two managers without going too satire and over the top, like Lara done perfectly with Carlotta.

The only thing disappointing with the production would be the fact that there were some technical difficulties with the chandelier falling, some glitchy lighting. However, if you weren’t as experienced with the show, they wouldn’t have been as noticeable. I also sort of liked that it went slightly wrong because it shows that even a show that has been running for 31 years can still have problems like that.

Overall, I give this timeless classic 5 stars!

5stars

REVIEW: The Toxic Avenger @ The Arts Theatre

Reviewed by Nathan Deane

Pollution and superheroes combined don’t sound like the most appealing subject for a musical – so as we sat in the Arts Theatre waiting for the show to start, we here hesitant to find out what was about to unfold in front of us.

The Toxic Avenger is based on a cult 80’s horror/superhero movie of the same name, which was considered so horrifying many cinemas refused to show it.

The musical, however, has had a slightly different history. The musical’s London premiere was in 2016 at the Southwark Playhouse and subsequently transferred to the West End this year. The show tells the tale of Melvin Ferd (The Third), a pro-environment scientist who falls into a vat of toxic goo, emerging as The Toxic Avenger – a green mutant with superhuman strength, aptly nicknamed Toxie. Toxie has to save the town of Tromaville from the pollution caused by the evil mayor as well as win the heart of the town’s blind librarian, Sarah.

Mark Anderson, who plays Toxie, is such a gem. It’s rare to find a musical theatre actor that plays a role as perfectly as he plays Melvin/Toxie. Mark’s singing voice is crazy amazing, his dynamics are out of this world, especially in his big act two number “You Tore My Heart Out”. His acting is so fresh, and the contrast between Melvin and Toxie is insane, they’re both the same person yet have so many differences, aside from skin type.

Emma Salvo plays Sarah, the librarian. I can’t think of any other musical theatre characters that are blind throughout the entirety of a show, so seeing Sarah is kind of like…a breath of fresh air? Emma brings an innocence to the character that helps bring the laughs. Emma stops the show. Literally. (You’ll understand what I mean once you’ve seen the show.) Her belt blows the audience out of the water, especially at the end of “All Men Are Freaks” – probably the funniest moments in the show is Sarah’s obsession with Oprah Winfrey, which I relate to a lot. I mean, who doesn’t love Oprah?!

Emma Salvo & Mark Anderson, photo credit Irina Chira

Ché Francis (as Black Dude) and Oscar Conlon-Morrey (as White Dude) have possibly the hardest job in the show, playing 5+ characters raging from the town bullies to sassy ladies Shinequa and Diane. They sing some vocally challenging, crazily written songs as well as crushing some of the fastest costume changes I have ever seen. How do they do it? I just don’t know! But they rock!!

Last but definitely not least, Natalie Hope plays Melvin’s mother, Ma Ferd, the town’s corrupt Mayor, and a nun. Her vocal ability is KILLER! She slays every song she sings, and playing 2 main characters must be a challenge…especially when you have to sing a duet…with yourself. Which, by the way, she slays. That number closes act one, and I can tell why! It’s one of the many “wow!” moments of the show.

Oscar Conlon-Morrey, Natalie Hope & Ché Francis, photo credit Irina Chira

The show is fantastic from top to toe, musically creative and the book is hilarious! Such a perfect show, and definitely my new favourite. I pray to the musical theatre gods that this show gets extended – it’s what the West End has been needing!

5stars

The Toxic Avenger runs until 3rd December.

https://toxicavengermusical.co.uk for tickets

Mad On Her! Is Back In The Heart of London

Feast your eyes upon the glamourous and glitzy cast of “Mad On Her” – 80s Jukebox musical, say Mad On Her fast- you’ll get the gimmick, Mad On Her is back after a successful short tour around the UK’s top Fringe venues including Hope Mill Theatre, Manchester, and is ready to take The Heart of London by storm.
Mad On Her will play Sundays in November and December at the Above The Arts Theatre, Leicester Square, from the 5th of November to the 3rd of December, and the line up is through the roof. (5th November is Sold Out!)

Mad On Her Principal Cast includes  Emmerdale’s Sweetheart Kelsey Beth Crossley, X Factor/ Loserville’s Sarah Watson, Jade Johnson (CBBC’s Worlds End), James Colebrook and West End Power-House Laura Wilson, joining them are Jordan Todd (BGT semi-finalist) Dani Acors (Jesus Christ Superstar) Brooke Havana Bailey (Billy Elliot) Simone Kite (Moulin Rouge) Sara Latif (BBC Bollywood), Emily Shuck, Hollie Steel and Phoebe Rose White (Rent).


Mad On Her – 80s Jukebox Musical takes you on a journey through all your favourite smash hits of this ‘Glamtastic’ decade. Get your Gladrags on and Glitter up as Donna and Tina party through the nightlife and drama of 1985.
Donna, ambitious and stylish, is climbing the ladder of success. Finding ‘Mr Right’ is the last thing on her mind – little does she know he could be just around the corner.
Tina, with her big hair and big heart, is the disco diva of the boulevard. As Donna’s best friend she sets out to play cupid. Step into the nostalgia of the neon lights and “Get ready to party the night away.”

Written, Produced and Directed by Ashley Luke Lloyd.
Co-produced by Sam Ohlsson for BlackDeer Productions and Co-Written by Koryann Stevens Delves.

Tickets from £16.

https://artstheatrewestend.co.uk/whats-on/mad-on-her—80s-jukebox-musical/