REVIEW: Fishbowl @ Kings Head Theatre

Reviewed by Charlotte White

So we go straight in with a conversation about whether George called his neighbour Hatty over for sex or not. George is adamant there is a leak in his ceiling, but Hatty thinks there is something more going on, but is there? Or is it simply just, a leak?

Fishbowl, a play by Jenna Kamal and directed by Alice Wordsworth and Erin Blackmore is a truly simple yet quite brilliant piece of live theatre. Essentially we watch as the only two characters in the play discuss various issues at 4 in the morning.

George is played by Nick Cope who portrayed the awkward but loveable character in such an endearing way and did such a great job of showing us as the audience how everything in life can be affected by so many little things. Felicity Green took the role of Hatty and I felt her performance had such a natural flow about it (much like the play in general). I particularly enjoyed her little cardio work out dance break!

I wasn’t expecting the show to make you think about so many things in life. As the show appeared so much like a casual conversation it made it more relatable and made you reevaluate things in your own life as you were watching it. Lots of quite deep elements of life were discussed. For example, does change only come from conflict? Or can it come from positivity?
I liked the fact that these deeper moments were contrasted by witty one liners and again some great dance moves from Hatty!

Fishbowl is a thought provoking, clever, unique piece of theatre with a natural flow that makes it that much more enjoyable to watch.

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REVIEW: Mirrors @ Leicester Square Theatre

Reviewed by Alex Kirk

Written and performed by Siobhan McMillan, Mirrors is a clever and humorous take on the classic Snow White story.

In Snow White, the Evil Queen discovers that there is another maiden in the land who dares to be fairer than she, and begins a hunt to kill her. In Mirrors, the Evil Queen is one of many personalities living inside the head of an enthusiastic yet entirely unoriginal and naive YouTube vlogger called ShyGirl, with a grand total of 30 subscribers.

When she is stood up by her ‘boyfriend’ (who merely uses her for sex and shows no romance at all), she becomes Shivvers – our ‘Evil Queen’ – a much more confident and down to earth character, who guides us through the story when her mirror tells her that she is no longer the most gorgeous woman alive, and begins her pilgrimage to kill her.

McMillan’s writing is clever and endearing, using mystical fairy-tale language to narrate the story, interjected with insults and stereotypes more commonly found in Facebook memes and ‘trash’ humour; the first woman that Shivvers believes is her new enemy is given the name ‘Bitchface’, and later in the play we hear all about another character’s love for chips and hummus (which was served to the audience after the show!). McMillan gives a strong performance throughout the play, in all of her characters, sometimes switching between them on alternating lines. She gives a masterclass in characterisation.

Gabi Maddocks’ direction is brilliant as well, and utilises the space superbly. The Lounge at the Leicester Square Theatre is a highly intimate space, and yet every single corner of the room is used throughout the show, thoroughly gripping your attention. The fairy-tale language in McMillan’s script parallels the fake oh-so-perfect world that YouTube vloggers pretend to have, and Maddocks’ direction heightens this further with some brilliant comedy moments – a personal favourite moment being ‘magical’ bubbles coming from a techie blowing very loudly at the back of the theatre. This is a production that is very self-aware and embraces its innocence and intimacy, and it is this that makes it such an endearing piece of theatre that will have you invested in ShyGirl’s journey.

Snow White parallels aside, I cannot compare this show to anything else. It’s thoroughly unique, totally personal, and I really enjoyed it.

4stars

REVIEW: Banana Crabtree Simon @ Drayton Arms Theatre

Reviewed by Leyla Damirel

“Banana Crabtree Simon” – these are the three words that Alan is told to remember. These three words are also the title of a new, one-man play that I was given the lucky chance to review. The play follows the character of Alan and his ongoing condition of dementia.

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Other than that, I knew nothing of the play, and went in with an open mind, although I was intrigued as to how the actor would captivate and keep the audience’s attention all on his own – it is a great deal of pressure for one person to captivate the audience and tell a story and keep the audience interested with no other cast members to help, but CJ de Mooi (Alan) managed to capture it perfectly. His characterization is flawless – in a short amount of time, you can see an almost healthy 50-year-old man in front of you deteriorate with his condition to a man who is rapidly becoming weaker as his memory fades. At one point in the show, Alan is under the sure belief that he is once again a little boy who has just attended his sister’s funeral. The way this scene was portrayed was breath-taking – I was not watching a man perform as a man with dementia. I was watching someone who truly did have dementia. The lines between acting and reality were completely blurred.

From the word go, you’re thrown right into the heart of the story; granted this is not necessarily a high energy show, if you’re expecting grand sets and orchestrations, this show is not one for you, but if you want to truly get invested into a story and really feel something, then this is right down your street. The simplicity of the setting and the lack of ‘theatre glamour’ adds to the intimacy of one man telling you his dementia journey, and being able to see his dementia increase as the show gets on is truly something special. I feel if the play were to transfer to a larger theatre, the intimacy would fade and the effect the play had on me would be lost. The use of music throughout the show only adds to the mood – as the play becomes more intense and tense, the music builds and only adds to this; every aspect of the production of this show has been accounted for, so while at face value it may seem that this is a simple play about a man with a degenerative condition, when real attention is paid to the finer details, they can truly be appreciated and the hard work that has been put in behind the scenes which is often overlooked, can truly be noticed. A beautifully heart-breaking piece of theatre, I know for a fact I shall never be forgetting the time I went to see Banana Crabtree Simon.

5stars

Banana Crabtree Simon runs until 14th April 2018. Tickets and more information can be found here.

Eight Powerful Shows that I Love

Written by Annie Zeleznikow

I have seen a lot of theatre throughout my life. I was lucky enough to have parents who valued theatre, and grandparents who could afford tickets for us. I travelled a lot as a child and my dad took great pleasure in finding shows in strange and wonderful locations. My life has always been filled with show tunes, and so here is a sneak peek into some of my favorites, and some stories about why they mean so much to me.

8) The Sound of Music

The loveliest musical. Julie Andrews is truly a fabulous gift to the world. I think the best way to sufficiently explain my love for this show is to first watch this recreation, made by Lin-Manuel Miranda’s father, Luis.

This was a musical that taught me the value of perseverance. Maria and the Von Trapp’s feared for their lives, so they climbed mountains and escaped, all while singing.

When I was about 13 my family went to Saltsburg. This is where the movie was shot, and where the story is based. There are Sound of Music tours, and we went on one. It was magical, we danced and sang where Ms. Andrews had danced and sung. The story came to life as we ran across the fountain and looked across the mountaintops. The Sound of Music is a movie that I have watched countless times, and I know I will continue to watch it, as it never gets old.

7) Guys and Dolls

When I was in twelfth grade I spent one weekend procrastinating. This was a week before a major exam. And I spent both Saturday and Sunday watching guys and dolls. I watched it on repeat. I watched it over and over again. It took me away from the chaos of my life, and it gave me an escape. I got to watch Marlon Brando fall in love, again and again. And the music was an enchanting combination of cabaret, soulful ballads, and sappy love songs. It was the perfect distraction from a horrendously stressful time. And it brought me such joy and relief from the stress of the real world around me.

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6) 13

This was the last musical that I participated in during high school. And I loved it. It was my introduction to the wonderful Jason Robert Brown. I had never really been exposed to a pop style musical before this show. The quirky characters fill the show with clever songs and funny numbers. The ballads are fantastic, and the lyrics are catchy. I was so lucky to be involved in such a fun show.

NOTE: While trying to find photos to add to the article I found the whole show, which was recorded and put on YouTube. Please enjoy my minor role as a preppy (chorus member), that’s me in the green blouse.

5) 1984

A most terrifyingly moving play. I saw this during my first week living in NYC. It was powerful and overwhelming. At one point the house lights went up, and it was clear that this terrifying dystopia that was created within the show was seeping into the real world. It was powerful and moving and I thought it was amazing.

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4) The Mountaintop

This was a play about the final day of MLK’s life, and it was my first introduction to MLK and the Human Rights Movement that occurred in the US in the 60’s. The Melbourne Theatre Company produced this show in 2013. I saw the play with my grandmother, sister, and cousins. My grandmother would buy season tickets to the theatre each year for my sister, cousins and myself. There were many amazing and powerful plays during the years that we went to the theatre, but when I started writing this list The Mountaintop jumped out at me. I remember it concluding with a video montage. And the montage included footage of Obama, and I started to tear up. The contrast of MLK and Obama was powerful and provoked powerful emotions within.

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3) Kinky Boots

My mums favorite. No way around it. She adores Callum Francis, the Australian Lola. We speak of him like an old friend, we speak about how he is doing, where he is living etc. I took a class called LGBT Community through the Life Span. During one class we were asked to write up different thing that affected how LGBT communities are viewed. I proudly wrote “Kinky Boots”, and although some of my classmates laughed, the Professor acknowledged it, this show impacted worldviews, and empowered people to live and be themselves. This show brought LGBT rights to the forefront, exclaiming to the world that we should all “Be who you want to be.” The unconditional acceptance in this show acts as such a powerful tool. Each time I’ve seen the show I’ve had an involuntary grin on my face.

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2) Dear Evan Hansen

This is one of the most powerful shows I’ve seen. I, like most audience members, found myself in tears. After all, Evan just wants to connect, and I can understand that. He gets caught up in a lie that he can’t escape, and he just wants to be seen and loved. I felt connected to Evan. The pop music is also a pleasant addition to the wonderfully classic repertoire of my favorite musicals. I keep coming back to this show. Each time I get excited about a new musical that opens in NYC, I get drawn away by Dear Evan Hansen, I find myself wanting to see it again and again. Despite the high costs. Each time I’ve seen it it’s been dynamic. All parts of this show make a mark; the music, the story, the acting- each connect to a deep part of me.

Dear Evan Hansen

1) Hamilton

I really owe so much to the genius work of Lin-Manuel Miranda. Although I was brought up with musicals, my obsession with the genre didn’t blossom until I heard the exquisite lyrics of Miranda’s tantalizing show. I am not American and knowing the history of America didn’t excite me in the same way it might excite a history teacher in the US. But this show lit a flame under me. And my desire to see the show quickly turned deeper and became an unquenchable thirst for Miranda’s materials. I moved to New York. I waited in line for 7 hours. I saw Hamilton. From my bedroom in Melbourne, Australia, I had made it! Hamilton is everywhere now. Rapping “My Shot” to the 4-year-old that I picked up from school brought me joy, and I hope to continue doing it. My favorite TV shows make jokes about how hard it is to get tickets. NYC appreciates and loves Miranda, and I do too.

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Olivier Awards Nominations: MY PREDICTIONS

Written by Nathan Deane

It’s not common practice to predict nominations for awards ceremonies. But the 2017-2018 theatre season in London was so great that the Olivier Eligibility is one of the best things I’ve ever seen. I feel like I have to tell everyone (is predict the right word? Oh well.) what I hope is nominated for the Theatre section of the Oliviers this year! I’ve limited myself to 3 or 4 nominations per category. These are not the official nominations; just my predictions/wishes.

Best Revival

The Birthday Party – Harold Pinter Theatre

Frozen – Theatre Royal Haymarket

Glengarry Glen Ross – Playhouse Theatre

Stepping Out – Vaudeville Theatre

New Play

The Ferryman – Gielgud Theatre

John – National Theatre (Dorfman)

Lady Day At Emmerson’s Bar & Grill – Wyndham’s Theatre

Pinocchio – National Theatre (Lyttleton)

New Comedy

Labour of Love – Noël Coward Theatre

Mischief Movie Night – Arts Theatre

The Miser – Garrick

Musical Revival

42nd Street – Theatre Royal Drury Lane

Follies – National Theatre (Olivier)

On The Town – Regent’s Park Open Air Theatre

New Musical

Everybody’s Talking About Jamie – Apollo Theatre

The Grinning Man – Trafalgar Studios

Hamilton – Victoria Palace Theatre

The Toxic Avenger – Arts Theatre

Entertainment & Family

Dick Whittington – London Palladium

Five Guys Named Moe – Marble Arch Theatre

The Hunting of the Snark – Vaudeville

Affiliate

The B*easts – Bush Theatre

tick, tick…BOOM! – Park Theatre

Room – Theatre Royal Stratford East

Disco Pigs – Trafalgar Studios 2

REVIEW: Trainspotting LIVE @ The Engine Rooms, Southampton

Written by Nathan Deane

Take any pre-conceived notions of Trainspotting LIVE and throw them away, as this play takes both book and movie and smashes them to bits.

Trainspotting LIVE is an immersive piece of theatre in a traverse environment with the audience sat on raised platforms. This allowed for the cast to interact with the audience, and they took every liberty they could to interact with every scene, including the infamous toilet scene. The play is primarily based on the book, with passages being directly lifted out of the text and placed into the play, often paraphrased.

Harry Gibson did an amazing job at adapting the source material, adapting the novel from Irvine Welsh into a punchy, non-stop 75 minute experience. Adam Spreadbury-Maher‘s direction was intimate and intense, and allowed for scene changes to occur smoothly and with minimal fuss.

Trainspotting LIVE tells the story of a group of Scottish heroin-addicts in the late 80’s. This show is filthy, intimidating, often funny and extremely well-done.

 

Frankie O’Connor played Renton, a part made famous by Ewan McGregor. O’Connor took McGregor’s performance and blew it out of the water. The arc that the character goes through is immense, and O’Connor plays it perfectly.

The piece is an ensemble piece, yet each actor in the small cast had shining moments. Finlay Bain as Tommy gave an extremely emotional performance, Chris Dennis as Begbie was extremely intimidating, James Boal as Mother Superior was comedic and quite eerie, and Rachel Anderson as Laura was often the comedic relief of the piece, lightening the often tense mood. The two actors that stood out of the ensemble for me were Andrew Still as Sick Boy and Erin Marshall as Alison. Their performances were stellar, their chemistry felt super developed and their story together closer to the end left me tearing up and shaken.

Trainspotting LIVE is an experience not for the faint hearted, but if you dare brave it, you’re in for a wild ride.

Trainspotting LIVE is touring the UK before heading to London for 2 months. For tickets and more information, click here.

Is Theatre A Dying Art Form?

Written by Sophie Reed

Earlier this week an article written by Stuart Heritage caused anger throughout the musical theatre community. The article was in response to the announcement of the cast of BBC’s 6 Part version of Les Misérables. Heritage said he was thankful for the BBC for the adaptation of Victor Hugo’s novel that doesn’t have the ‘annoying singing.’ The most dreaded line was ‘theatre is a dying art form.’ This statement shocked and angered actors and fans alike, even I had a few words to say about it. This is what encouraged me to write this. There is so much you can write about it, you can’t fit it into a single tweet, or a thread.

There was a time, I believe, when it could be argued that theatre was a dying art form. Where musicals on the West End and Broadway were barely lasting a year. If I were to put a date on the most recent decline, it was probably around mid to late 2000’s. Maybe it’s because the shows weren’t good quality, or maybe even that audiences weren’t interested in seeing shows at the time. Right now, the West End is solid. We have shows that are staying because of the popularity with the audience. I can name loads off the top of my head: The Lion King, Wicked, Phantom of the Opera, Thriller, Les Misérables, Kinky Boots.

The dedication of the fans makes all the difference. Especially when the musicals have been on the West End for a long time. I’m taking from my own personal experience here. Although I had seen musicals before then, the musical that made me fall truly and deeply in love with musicals was Phantom of the Opera. My mum is a big fan of the musical and even saw the Original Cast 7 times! Seeing the show justified why she was so captivated by it. Because My Mum was in her late teens/early twenties when these ALW and B&S musicals came out, like so many people, their children grew up with the songs and now we have a whole new generation of fans who have now grown up and now seeing shows.

I really think I can’t do this post without talking about Hamilton. It took the world by storm and interested people that wouldn’t listen to musicals and because they like Hamilton, they listen to other musicals. Hamilton has brought in more people into the community. Also, how can you say Theatre is dead when Hamilton is sold out until May? Like, seriously?!

Original Broadway Cast

Hamilton

It’s not just musicals, The Mousetrap, The Woman in Black, The Play That Goes Wrong. All Plays that have been running on the West End for more than a couple of years. The Mousetrap is the West End’s longest-running show. Yes, plays don’t usually have a long run, but there still are some that stick. Even The Ferryman, which opened last year is doing amazingly well!

Yes, the recorded performances and film adaptations have probably stopped people from seeing the stage show, however, there is nothing like the exhilarating thrill of live theatre. The film sometimes encourages people to see the show live, because the film will always be different to the musical.

I wanted to write a response to this statement because it made me really think about my degree. I’m studying Film and Screen Media. This degree doesn’t just teach me about Film and the Media as a whole, but question it. Even though I’m looking forward to the adaptation of Les Misérables and I do watch live broadcast television, it can be argued that live television is a dying art form. Everything is going online, Netflix, Amazon Prime, IPlayer. People don’t want to sit in front of a television and watch normal TV.

Charlie’s Top 10 Shows of 2017! 

By Charlie White

So this year I have been lucky enough to see some incredible shows and trying to rank them  has been one of the toughest decisions ever! But here we go, my top 10 shows of this year are…

10: The Wild Party

The Other Palace

A rather adult themed show involving a group of people in the 1920s throwing a party which got a bit out of control (to put it lightly). I think the general concept was good and the people were great, just didn’t really have enough substance for me.

9: Priscilla Queen of the Desert

Courtyard Theatre, Hereford

A fun loving heart warming story which tells the tale of drag queens making there way across australia to perform their act. But for one of them, there’s a slightly more personal motif for heading on the road. Even though this was just an amateur production, the talent was amazing and it was such a fun show with all the cheesy hits you know and love.

8: The Wedding Singer

Touring

I managed to see this on tour with the wonderful Jon Robyns playing ‘casualty of love’ wedding singer Robbie Hart who gets his heart broken on his wedding day. He then meets a certain young woman who might just be able to fix it…whilst helping to plan her wedding! Classic 80s vibes and really enjoyable show (plus Jon Robyns is super talented and hilarious in this role).

 7: Mamma Mia

Novello Theatre

Using the great well known Music of Abba, this show takes us on a journey to a Greek island where a young girl is about to be married, but before she does , she wants her father to walk her down the aisle. The problem is, she has invited all 3 possible dads! Great night out with all the Abba hits and loveable characters with a heart warming story.

 6: Aladdin

Prince Edward Theatre

The classic Disney tale of the diamond in the rough who goes from ‘street rat’ to Prince Ali and shows Princess Jasmine a whole new world whilst trying to stop the evil doings of the royal advisor, Jafar. Great show stopping numbers like Friend Like Me, this is a perfect pick for the younger ones.

 5: 42nd Street 

Theatre Royal Drury Lane

With the biggest cast in the West End, 42nd street is a spectacle of dancing feet as they try to get to Broadway but with the leading lady Injured, can they convince newbie Peggy Saywer to step in and wow the audience. The sheer size of this cast makes it very impressive with toe tapping numbers like lullaby of Broadway, it’s a definite crowd pleaser.

 4: Our Ladies of Perpetual Succour

Duke of York’s theatre

When a group of young Scottish girls go to Edinburgh for a choir competition, they decide to see what sort of trouble they can get up to (the answer is quite a lot). But whilst beautifully singing classic songs from ELO, we see how each of the girls find themselves as we witness this journey of discovery. The music was a great accompaniment to the story and the harmonies were spot on!

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 3: Half A Sixpence 

Noel Coward Theatre 

Years after Arthur Kipps leaves his childhood sweetheart to work selling haberdashery, his life changes when he discovers he’s come in to a large amount of money. Living the life of luxury, he courts a fine young lady from a wealthy family. However, when he is reunited with his childhood sweetheart, he wonders if he’s made a mistake. I actually thoroughly enjoyed this show, Charlie Kemp really does shine and the energy in this show is fabulous!

 2: The Toxic Avenger 

Arts Theatre 

A town called Tromaville in the state of New Jersey has a new smell in town..it’s giant vats of toxic nuclear waste! So who will save New Jersey? Melvin ferd the third! After being tossed in to the nuclear waste, he came out a ‘big green freak’ but luckily he’s in love with a visually impaired librarian (thank God she’s blind!) and he uses his new found powers to save the town from Jersey girl mayor Belgoody and the toxic nuclear waste. This show was so hilarious my cheeks actually ached from smiling and laughing so much and David Bryant did a fantastic job with the soundtrack.  Click here to read our full review of The Toxic Avenger!

 1: Lizzie the Musical

Greenwich Theatre

The infamous story of Lizzie Borden and the unfortunate death of her father and step mother told in unique way. With a cast of just 4 incredibly talented women, a fantastic rock score goes alongside this gothic mystery based on a true case of what might have happened in the House of Borden. I have to admit I was a bit unsure when I first went to see it but by the end I absolutely fell in love with it. The girls rocked it with insane voices,  a unique story and it’s such a shame it didn’t get a longer run. Click here to read our full review of Lizzie The Musical!

Nathan’s TOP 10 SHOWS of 2017!

By Nathan Deane

Ah, yes. The time has come for us to look back on what we saw in 2017 and put together our top 10 of the shows we saw.  I’ve been working on mine for the past week, and now I’ve seen my last new piece of theatre for the year, here’s my top 10!

10: tick, tick…BOOM!

Park Theatre

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“tick, tick…BOOM!” is Johnathan Larson’s autobiographical musical, often overshadowed in the success of his other musical, Rent. The production was directed by Bronagh Lagan, produced by Aria Entertainment and Joe C Brown, and starred Chris Jenkins, Gillian Saker and Jordan Shaw. This production was immersive, minimal and wonderful. I thoroughly enjoyed every minute of it.

9: Bananaman: The Musical

Southwark Playhouse

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Based on the comic strip and animated TV series, Bananaman tells the story of Eric Wimp, an average schoolboy, who turns into a superhero (the titular Bananaman) whenever he eats a banana. Directed by Mark Perry, produced by Sightline Entertainment and starring a large cast, the show is brand new for 2017 and was an extremely fun, camp and silly night out.

8: Hair

The Vaults

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Back for it’s 50th anniversary, Hair tells the tale of a tribe of hippies in New York’s Central Park. This production was fresh, vibrant and extremely fun. Read my full review of Hair here.

7: Lady Day At Emmerson’s Bar and Grill

Wyndham’s Theatre

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Starring the incomparable Audra McDonald, Lady Day shows us one of Billie Holiday’s very last concerts before her death in the 60’s. The show is painfully beautiful, and Audra’s performance as Billie Holiday was truly spectacular. The play made me cry, laugh and feel many different emotions. I was lucky to have been able to see the show twice.

6: Everybody’s Talking About Jamie

Apollo Theatre

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One of London’s newest musicals, Everybody’s Talking About Jamie tells the true story of Jamie, a 16 year old boy who wants to be a drag queen and go to prom in a dress. The story was relatable, emotional and often funny. John McCrea is a real star in the making, and Dan Gillespie-Sells’ music is catchy and modern.

5: The Toxic Avenger

The Arts Theatre

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Taking the mick out of superhero movies is a tricky game, but The Toxic Avenger does exactly that. And it’s hilarious. Read my full review of The Toxic Avenger HERE!

4: The Wild Party

The Other Palace

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Gin, skin, sin and fun are four words to describe this devilishly delightful show. This show was sexy, emotional and…wild. The cast were sensational, and Michael John LaChiusa’s music is terrific. It tells the story of Queenie and Burrs, two love-birds stuck in a relationship going nowhere. To spice things up a bit, they throw a party fuelled by bathtub gin, sex, and cocaine. It also features themes like murder, racism, and various other things…some worse than others.

3: Pinocchio

The National Theatre

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Colourful, wonderful, and magical. This show can brighten even the darkest winters. Read my full review of Pinocchio HERE!

2: Our Ladies of Perpetual Succour

Duke of York Theatre

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What happens when 6 Scottish schoolgirls go out on the town in Edinburgh before the nation’s biggest choir competition? Well, that’s what Our Ladies is all about. The fiery cast of 6 girls backed by a 3 piece band, singing songs ranging from Mendelssohn to ELO made hairs stand on end. The story is wonderful, it’s not just about girls getting wasted, it’s about discovering yourself in your teenage years. And that’s a tricky thing to get right, but Our Ladies of Perpetual Succour did it beautifully.

1: Lizzie

Greenwich Theatre

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4 women singing killer rock and roll songs in tight leather whilst telling the story of American murderess Lizzie Borden? Sounds epic. And this show was epic. Only playing 20 performances means only a small handful of people got to experience this fierce production. Let’s hope it gets a revival soon! Read my full review of Lizzie HERE!

REVIEW: Venus In Fur @ Theatre Royal Haymarket, London

Reviewed by Sophie Reed

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Don’t mess with a goddess. That’s the tagline of this play. And boy should you take that advice! The play, written by David Ives, tells the story of playwright Thomas and actress Vanda. Vanda comes in late to the audition for Thomas’ new play adapted from the 1870 novel Venus In Furs by Leopold von Sacher-Masoch. and this is the man we get the word Masochism from.The play is filled with Marxism, sex and Greek/ Roman mythology.

Natalie Dormer, from Game of Thrones and Hunger Games fame, plays the role of Vanda. As well as being stunningly beautiful, she’s an extremely talented actress. The difference between her Vanda and her acting Vanda (her character had the same name as the character she was auditioning for) was so evident. The way she changed her voice from American, to British, to German so easily requires a lot of skill.

Victoria star, David Oakes, plays opposite her. His commanding stage presence is perfect for the opening show. His fluidity to change between dominating and submissing is so flawless. The two actors have such a good connection and the fight for dominance is so quick and clear. The overall play has an amazing plot and set out beautifully, using such a simple set. In addition, I was glad there was no interval because it was so intense the whole way through it would have broken up the dynamics of the show.

I give this show 5* for a beautiful, sexy, intense night out! You can catch it a the Theatre Royal Haymarket until the 4th of December.

5stars