HAIR Full Casting Revealed!

ANDY COXON has been cast in the iconic role of Berger, in the new 50th anniversary production of HAIR. Rock musical HAIR opens at London’s fully immersive Off-West-End theatre, The Vaults, from Wednesday 4 October 2017 and is now to run to Saturday 13 January 2018.


The genuinely youthful cast will bring the original protest musical to life, in the intimate theatre seating just 200, revealing every emotion up close and personal through HAIR‘s drug fuelled journey.

ANDY COXON (Beautiful – The Carole King Musical, Les Misérables – West End) is currently starring as Mitch in the acclaimed London production of Yank! (Charing Cross Theatre.)

The cast for this thrilling, young and moving production of HAIR is: DANIEL BAILEY (Motown The Musical – Shaftesbury Theatre, The Lion King – Lyceum Theatre)as Berger – ANDY COXON (Mitch in Yank! – Charing Cross Theatre), ADAM DAWSON (Jet in West Side Story RSC Live – Stratford) as Margaret Mead – PATRICK GEORGE (Cats – UK tour) as Hud – JAMMY KASONGO (Beautiful The Carole King Musical – Aldwych) as Jeanie – JESSIE MAY (Fiona in Blondel – The New Union Theatre, Rock Of Ages – UK tour). Returning to the production from the acclaimed Manchester run are: Cassie – NATALIE GREEN (Wicked – UK tour), Sheila – LAURA JOHNSON (Rizzo in Grease – UK tour), Dionne – SHEKINA MCFARLANE (Parade – Hope Mill Theatre, The Lion King – UK & International tour), Claude – ROBERT METSON (Ryan in Bear – Southwark Playhouse), Woof – LIAM ROSS-MILLS (Les Misérables – West End, Ben in Ushers: The Front of House Musical – Charing Cross Theatre), Mary – KORYANN STEVENS (West Side Story – Live Nation) and Chrissy – KIRSTEN WRIGHT (Our Seasons End – The AC Group).

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HAIR changed the face of musical theatre and is still ground-breaking at the age of 50. HAIR opened off-Broadway in 1967, and to open this genuinely new production off-West-End in 2017 is the perfect move for Hope Mill Theatre’s acclaimed production, directed by Jonathan O’Boyle – as relevant now as it was in the 60s.

1967 and HAIR‘s hippie-hood youngsters live as The Tribe, in the East Village of New York: yearning to change the world, questioning authority and the American flag. They are wild, colourful, free, sexually liberated beautiful people who join in protest and song – under the shadow of the Vietnam War. Featuring classic hit songs: Aquarius, Let the Sun Shine In and Good Morning Star Shine – and the story of youth and war still resounds throughout the world making this a topical musical for the millennial generation. 2017 vividly sees the world protesting and marching, fighting for freedom of speech; from Trump to Brexit via Syria – the core spirit of HAIR.

Like a mini Woodstock, from the moment the audience arrive, The Vaults is transformed into a fully immersive 60s venue, with psychedelic, innovative creatives, iconic artwork and hippie flower power. With a 60s themed pop up restaurant and themed drinks; plus stalls including: vintage 60s and tie dye clothes, 60s smiley badges and memorabilia, hippie wigs and flower headdresses, vinyl’s – everything needed for a legal high. The audience then move through to the theatre space for HAIR – the musical that changed the face of the modern musical.

HAIR – book and lyrics by James Rado and Gerome Ragni, music by Galt MacDermot. Produced by Katy Lipson for Aria Entertainment, Ollie Rosenblatt for Senbla, Joseph Houston and William Whelton for Hope Mill Theatre and Associate Producers Guy James and Joe Brown. Directed by Jonathan O’Boyle (Ass. Director An American In Paris – Dominion, Ass. Director The Scottsboro Boys – Young Vic & West End, The Judas Kiss – Toronto & New York, This House – West End, Bull – Young Vic, Pippin – Hope Mill Theatre); Musical Director – Gareth Bretherton (The Verb, To Love – Old Red Lion, Seasons of Larson – Lyric Theatre); Choreographer – William Whelton (Our House – Union Theatre); Set & Costume Designer – Maeve Black (Adam & Eve…and Steve – Kings Head Theatre); Sound – Max Perryment (Start Swimming – Young Vic) & Chris Bogg (Yank! The Musical – Charing Cross Theatre); Lighting Designer – Ben M Rogers (Jesus Christ Superstar – Scandinavian Tour) and Casting Director – Ben Newsome.

COME JOIN THE TRIBE – HAIR.


The 50th Anniversary production of HAIR transfers to London from its critically acclaimed run at the Hope Mill Theatre, Manchester.

VENUE: THE VAULTS (7AD, Leake St, London SE1 7NN)

PERFORMANCES: WEDNESDAY 4 OCTOBER 2017 – SATURDAY 13 JANUARY 2018

PLEASE NOTE NEW DATE FOR FINAL PERFORMANCE NOW BEING 13/01/18.

Previews: Wednesday 4/10 7.30pm, Thursday 5/10 3pm & 7.30pm, Friday 6/10 7.30pm, Saturday 7/10 7pm & 10pm and Monday 9/10 7.30pm.

PRESS NIGHT: WEDNESDAY 11 OCTOBER 2017 at 7.30pm

Post press night performances: TUESDAY to SUNDAY (no performances on a Monday)

Tuesday – 7.30pm

Wednesday – 7.30pm

Thursday – 3pm & 7.30pm

Friday – 7.30pm

Saturday – 7pm & 10pm New Saturday timings from 05/12/17 = 3pm & 7.30pm

Please note: Saturday show time changes to 3pm & 7.30pm in new booking period from 05/12/17-14/01/18

Sunday – 3pm

FESTIVE PERIOD PERFORMANCES AND TIMES STAY THE SAME

TICKET PRICES: £25 – £50

Age recommendation: 14+ (this show contains nudity)

BOX OFFICE: 020 7401 9603

WEBSITE: http://www.hair50.com

TWITTER: @Hair50London

HAIR Hope Mill Theatre production 2016

***** The Reviews Hub: ‘Stunning’

***** North West End: ‘Astounding’

**** The Guardian: ‘Sweetly enticing’ – Lyn Gardner

**** The Stage: ‘Thrilling! Jonathan O’Boyle’s production left me walking on air’ – Mark Shenton

**** Northern Soul

**** Musical Theatre Review.

In Conversation with KATY LIPSON of ARIA ENTERTAINMENT

From Page To Stage is a London based musical theatre festival showcasing brand new musicals, featuring staged readings, concerts, snippets of new shows and one fully produced musical by Aria Entertainment. Click here to read more about FPTS on The Thespians Blog, and click here to read about the amazing cast at this years FPTS.

The Thespians Blog were invited along to an event at The Other Palace, marking the opening of the 5th year of FPTS. This included watching some amazing performances from the new Burt Bacharach and Steven Sater musical, Some Lovers (tickets here), which looks absolutely fantastic. We also got to watch a performance by Miiko Toiviainen from the new musical XY (tickets here), which also looks amazing.

Amongst watching the amazing performances, we got to sit down with the woman behind the festival, Katy Lipson. Katy is director of production company Aria Entertainment and has produced many fan favourites, including Lizzie, The Addams Family (UK Tour), and YANK! (Off-West End). 

From Page To Stage 2017 Launch

Steven Sater (book/lyrics – Some Lovers), Chloe Carrington (Dinostory and Chicken Little), Gemma Wardle (Some Lovers), Ben Richards (Some Lovers), Jenna Innes (Some Lovers), Aaron Kavanagh (Some Lovers), Gloria Onitiri (Showcase), Miiko Toiviainen (XY), Katy Lipson (Producer – From Page To Stage).

You’ve worked with Burt Bacharach before, you did Promises, Promises back in February, so what is it like working with Bacharach again but with a completely now show that’s never been produced?

Maybe I’m playing this too casual, but I guess I feel extremely lucky to be presenting in the same year, but a new musical that’s never been put on in this country and never had a production before in the US. He’s one of the most iconic living writers thanks to this 50 year career he’s had. The songs are amazing, they’re really, really beautiful. The sound is as commercial as some of his early hit songs. I’m just really keen to see that we get this show right and move this show on. I’m more focused on nailing it and getting it right, we all want it to be successful and we want people to connect with it. If Burt was coming over I guess I would be nervous about that performance, but he’s not coming over for this first performance but he will come over when we do the show for a full run with a press night. Steven Sater’s wonderful to work with, he’s a great book writer and lyricist, he wrote Spring Awakening which was a game changer for musical theatre and one of the shows that I love, and I feel just so incredibly lucky!

Promises, Promises has some iconic numbers like “Turkey Lurkey Time” which has iconic choreography and everyone knows it, is there going to be anything as iconic in Some Lovers?

I think you’ve got some hit songs in there in a different way. Turkey Lurkey was famous for being quirky but I think there are some hits in here because they’re stunning. We’ve got some hits like Say a Little Prayer and I’ll Never Fall In Love Again and I think the album will become a hit album, rather than a song. It is an album of love songs, and it’s very arty. I assume people will get lost in the music and love it!

 This is your fifth year doing FPTS, how has the festival changed each year?

I’ve become more ambitious and more savvy and my reputation is higher so each year more and more industry come, more  and more venues come, more and more work is submitted of higher standard, I reach out to more and more established writers as well. We wouldn’t have had a Burt Bacharach musical five years ago. I raise more and more money, get more recognition. We moved from The Landor Theatre from the first two years to the Tristan Bates Theatre and now we’re at The Other Palace so I’ve learnt a lot more. I’ve learnt more about who I want to collaborate with and what I want to get out of it. Whereas in years one and two I’m establishing a brand, something that people recognise as an investible festival, whereas now we’re  starting shows out on the right track.

You’re working with Paul Taylor-Mills, another producer, whilst you’re in The Other Palace, so how has that worked out?

So Paul and I didn’t actually work together. It’s just our festival. Andrew Lloyd-Webber invited us to The Other Palace and Paul saw the repertoire we are doing but we’re an outside company that are coming in and rent the theatre, but with Andrew’s support. We all want the same things, new musicals and a safe space for new musicals to flourish and to present them.

You’re a really innovative producer, you’ve got an iconic musical which is touring right now (The Addams Family), and you’ve done Lizzie which isn’t so traditional with a blistering rock score, you’ve done Burt Bacharach, he’s only written two shows and you’ve produced them both, and this year you’re doing Hair. It’s just been leaked that you’re selling tickets to a clothing-optional performance. How did that performance idea come about?

We were approached by a naturist group. They said “oh my god you’re doing Hair and in this intimate theatre, would you consider doing a clothing optional performance?” This group had been trying to get other theatres in Westminster to do it and they all said no but we said ‘why not?’ So we made a private link that you could only buy tickets for if you were sent. Somehow, it leaked out and so we told the press that we were offering this performance. Hair is a show about being liberated, it’s a show about free love, it’s a show about having a free sexuality, free with your identity, free with who you’re marrying, interracial marriage. It’s amazing. If you see Hair, you’re going to love it. So we’re doing it for one performance and if it’s successful,  we’ll do another it’s as simple as that!

Have you had a favourite musical you’ve produced?

I think a new musical I did called Return of the Soldier was very special because it was brand new and I really, really loved it. I’ve loved doing some of the cabarets I’ve done. Also Jerry’s Girls, the Jerry Herman musical. I absolutely adored putting one two of my biggest shows so The Addams Family and The Mystery of Edwin Drood, which I did in 2012. And also my latest show, The Toxic Avenger, which is absolutely mental. It’s so fun. Before Toxie (The Toxic Avenger) I didn’t do any comedy in my shows but to hear an audience erupt in laughter is an amazing feeling. My portfolio is so diverse like with YANK! which is an incredible show about the officers in the army falling in love and gay rights to Toxie which is completely un-PC and hilarious, then to The Addams Family which is a caricature of these iconic characters to Burt Bacharach. There’s no point of strategy, you gravitate towards pieces you love and they really take off and you think ‘Oh. Okay. I need to make room in my life now to make the most out of it.

 

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Hair at the Hope Mill Theatre, Manchester

I’d really love to thank Katy Lipson for sitting down and talking with me.

From Page To Stage festival runs until the 3rd of September 2017 at The Other Palace in London. For more information and tickets, click here. 

 

Cast announced for SOME LOVERS & Further musicals at From Page To Stage 2017

ARIA ENTERTAINMENT’s

FINAL LOGO - large

Summer Festival 2017 at The Other Palace

BACHARACH and SATER’s SOME LOVERS

+ West End stars join FPTS shows & concerts

Ben Richards, Carolyn Maitland, Oliver Tompsett, Shona White, Miranda Wilford

Ben Richards returns to musical theatre in the premiere of Burt Bacharach and Steven Sater‘s SOME LOVERS – the head line show for Aria Entertainment’s From Page To Stage (FPTS) Summer Festival at The Other Palace. With just 12 performances, the seats will be some of the hottest musical theatre tickets in Town this summer (Thursday 24 August – 2 September 2017)!

SOME LOVERS is the new musical from Tony and Grammy Award winning writer Steven Sater (Spring Awakening), and Academy Award, Grammy Award winning pop legend Burt Bacharach – his first score for the theatre since 1968’s Promises Promises. A valentine to New York SOME LOVERS is a contemporary parable about the gifts we give one another — a love story, set over twenty years.

Four actors play two characters, Ben and Molly, caught between the present and past. Ben will be played by Ben Richards (The Bodyguard, Priscilla Queen Of The Desert – West End, Footballers’ Wives, Hollyoaks); Molly by Gemma Wardle (Betty Blue Eyes – West End, Eponine in Les Miserables – West End); Young Molly is Jenna Innes (Charlotte Donne in Animus– The Bridewell Theatre); and making his professional debut as Young Ben is Aaron Kavanagh who graduates from the Royal Conservatoire of Scotland this month (July 2017.)

Steven Sater says: “Burt and I came to recognise how distinct our love songs were from those ubiquitous pop anthems of young love. Our love songs seemed invariably to express a sort of disaffection, a disappointment, a dark joy, or the renewed determination of a more mature, mid-relationship romance. What if we revisited that Depression-Era classic story, The Gift of the Magi? What became of those young Christmas lovers, twenty years after their happily ever after? And that was the beginning of SOME LOVERS.”

Burt Bacharach says: “Writing songs with Steven has been a different process for me because most of the time it’s the lyrics that come first and then I set them to music. Steven is a very musical lyric writer and it is always a pleasure to take his lyrics with consummate ease and set them and feel very good about the result.”

The creative team for SOME LOVERS: Director – Katherine Hare (Co-founder of Triptic, Resident Dir Sunny Afternoon – West End); MD – Jordan Li-Smith (Ragtime – Charing Cross Theatre); Choreographer – Philip Thomas (Tick Tick Boom! – Park Theatre); Designer – Nik Corrall(Tick Tick Boom! – Park Theatre, Ass Designer Marlowe Theatre); Lighting Designer – James Smith (Ass LD Wind In The Willows – London Palladium); Sound Designer – Chris Bogg (Yank! The Musical – Charing Cross Theatre.) SOME LOVERS is produced in association with SENBLA.

Also confirmed is a terrific cast of West End performers for You Know How To Love Me – A Charles Miller Celebration including: Carolyn Maitland(Ghost, Miss Saigon), Oliver Tompsett (Guys & Dolls, We Will Rock You, Wicked), Shona White (Mamma Mia, Wicked) and Miranda Wilford(Remembering Fred, Thriller Live!) in the Studio (18/08–19/08.) MD/Piano – David Randall and Cello – Sarah Bowler. Co-producer Guy James.

 

Aria Entertainment’s From Page To Stage (FPTS) – a ground breaking International Summer Musical Festival for new musicals at the start of their musical theatre life, runs for three weeks at The Other Palace from MONDAY 14 AUGUST to SUNDAY 3 SEPTEMBER 2017.

FPTS Summer Festival: Monday 14 August – Sunday 3 September 2017.

The Other Palace – 12 Palace Street, Westminster, London SW1E 5JA.

Ticket prices from £7.50 – £20. (SOME LOVERS: ALL tickets £20)

Box Office: theotherpalace.co.uk / 020 7087 7900 

www.frompage2stage.com 

FPTS twitter: @FromPage2Stage 

SOME LOVERS: Dates and Performance Times – All tickets £20

THURSDAY                 24th AUGUST             8pm

FRIDAY                        25th AUGUST             8pm

SATURDAY                  26th AUGUST             3pm and 8pm

MONDAY                    28th AUGUST             8pm

TUESDAY                     29th AUGUST             8pm

WEDNESDAY             30th AUGUST             8pm

THURSDAY                  31st AUGUST              3pm and 8pm

FRIDAY                        1st SEPTEMBER          8pm

SATURDAY                  2nd SEPTEMBER        3pm – 8pm

See below for full listings information for FPTS Summer Festival…..

ARIA ENTERTAINMENT’s

FINAL LOGO - large

SUMMER FESTIVAL 2017 at THE OTHER PALACE

Monday 14th August

Opening Songwriters Showcase followed by Q&A with producer Katy Lipson (STUDIO) @ 7.30PM – concert

Tuesday 15th  August

XY by Oliver Houser, developed with Hunter Bird – (STUDIO) @ 7.30pm – staged reading

Wednesday 16th  Aug

XY (STUDIO) @ 7.30pm – staged reading

Thursday 17th August

XY (STUDIO) @ 7.30pm – staged reading

Friday 18th August

You Know How To Love Me – A Charles Miller Celebration (STUDIO) @ 7.30pm – concert.

Saturday 19th  August

You Know How To Love Me – A Charles Miller Celebration (STUDIO) @ 2.30pm & 7.30pm –concert.

Monday 21st August

Rebel Song by Christopher Dickins, Tom Wright & additional music Jacquelyn Hynes (STUDIO) @ 7.30pm – staged reading

Tuesday 22nd August

Rebel Song (STUDIO) @ 7.30pm – staged reading

Wednesday 23rd  Aug

Rebel Song (STUDIO) @ 7.30pm – staged reading

Thursday 24th August

Some Lovers by Burt Bacharach & Steven Sater (MAIN HOUSE) @ 8pm – full production

One Way by Ben Bonnema & Christopher Staskel, The Edinburgh 7 by Christina Tweeddale, Catherine Myers, the Kielty Brothers & Jordanna O’Neill, The Girls Of Downey Hall by Chris Burgess, Cult! by Tasha Taylor Johnson & Phil Cornwell – (STUDIO) @ 7.30pm – showcasing 4 x musicals in one night – 25 minutes each

Friday 25th  August

Some Lovers  by Burt Bacharach & Steven Sater (MAIN HOUSE) @ 8pm – full production

One Way, The Edinburgh 7, The Girls Of Downey Hall, Cult! (STUDIO) @ 7.30pm – showcasing 4 x musicals in one night – 25 minutes each

Saturday 26th  August

Some Lovers by Burt Bacharach & Steven Sater (MAIN HOUSE) @ 3pm & 8pm – full production

One Way, The Edinburgh 7, The Girls Of Downey Hall, Cult! (STUDIO) @ 2.30pm & 7.30pm – showcasing 4 x musicals in one night – 25 minutes each

Sunday 27th  August

DAY OFF

Monday 28th  August

Some Lovers by Burt Bacharach & Steven Sater (MAIN HOUSE) @ 8pm – full production

Chicken Little by Jake Brunger & Pippa Cleary and Dinostory by Luke Di Somma, Mark Anderson & Erin Carter (STUDIO) @ 1pm FAMILY FESTIVAL 5+ staged reading

Tuesday 29th  August

Some Lovers by Burt Bacharach & Steven Sater (MAIN HOUSE) @ 8pm – full production

Chicken Little and Dinostory (STUDIO) @ 1pm FAMILY FESTIVAL 5+ staged reading

Wednesday 30th  Aug

Some Lovers by Burt Bacharach & Steven Sater (MAIN HOUSE) @ 8pm – full production

Chicken Little and Dinostory (STUDIO) @ 1pm FAMILY FESTIVAL 5+ staged reading

Thursday 31st  August

Some Lovers by Burt Bacharach & Steven Sater (MAIN HOUSE) @ 3pm & 8pm – full production

The Queen’s Nose by Charles Miller/Tim Sanders – (STUDIO) @ 7.30pm  FAMILY FESTIVAL5+ – staged reading

Friday 1st September

Some Lovers by Burt Bacharach & Steven Sater (MAIN HOUSE) @ 8pm – full production

The Queen’s Nose (STUDIO) @ 7.30pm – FAMILY FESTIVAL 5+ – staged reading

Saturday  2nd Sept

Some Lovers by Burt Bacharach & Steven Sater (MAIN HOUSE) @ 3pm & 8pm – full production

The Queen’s Nose (STUDIO) @ 2.30pm & 7.30pm – FAMILY FESTIVAL 5+ – staged reading

Sunday 3rd  September

Closing Gala: An Evening Of Songs From Spring Awakening Creators Duncan Sheik & Steven Sater (MAIN HOUSE) @ 8pm – staged concert

 

HAIR EXTENSION! and initial CASTING for 50th Anniversary Production


HAIR‘s new 50th anniversary production is to have a HAIR extension through to New Year 2018! The show was due to run until early December but already due to popular demand the show is now extending for a further 6 weeks to SUNDAY 14 JANUARY 2018 – the perfect night out especially over the Festive Season!

The iconic tribal rock musical HAIR opens at London’s fully immersive Off-West-End theatre, The Vaults, from WEDNESDAY 4 OCTOBER 2017 and is now to run to SUNDAY 14 JANUARY 2018.

Still ground-breaking at the age of 50, HAIR opened off-Broadway in 1967, so to open this genuinely new production off-West-End in 2017 is the perfect move for Hope Mill Theatre’s acclaimed production, directed by Jonathan O’Boyle – as relevant now as it was in the 60s.

1967 and HAIR‘s hippie-hood youngsters live as The Tribe, in the East Village of New York: yearning to change the world, questioning authority and the American flag. They are wild, colourful, free, sexually liberated beautiful people who join in protest and song – under the shadow of the Vietnam War. Featuring classic hit songs: Aquarius, Let the Sun Shine In and Good Morning Star Shine – and the story of youth and war still resounds throughout the world making this a topical musical for the millennial generation. 2017 vividly sees the world protesting and marching, fighting for freedom of speech; from Trump to Brexit via Syria – the core spirit of HAIR.

Initial casting for this thrilling, young and moving production of HAIR includes: DANIEL BAILEY (Motown The Musical – Shaftesbury Theatre, The Lion King – Lyceum Theatre), ADAM DAWSON (Jet in West Side Story RSC Live – Stratford), JESSIE MAY (Fiona in Blondel – The New Union Theatre, Rock Of Ages – UK tour). And returning to the production are: NATALIE GREEN (Wicked – UK tour), LAURA JOHNSON (Rizzo in Grease – UK tour), SHEKINA MCFARLANE (Parade – Hope Mill Theatre, The Lion King – UK & International tour), ROBERT METSON (Ryan in Bear – Southwark Playhouse), LIAM ROSS-MILLS (Les Miserables – West End, Ben in Ushers: The Front of House Musical – Charing Cross Theatre), KORYANN STEVENS (West Side Story – Live Nation) and KIRSTEN WRIGHT (Our Seasons End – The AC Group).

Further casting to be announced, as the search continues to cast the roles of Berger, Hud and Margaret Mead!

The genuinely youthful cast will bring the original protest musical to life, in the intimate theatre seating just 200, revealing every emotion up close and personal through HAIR‘s drug fuelled journey.

Like a mini Woodstock, from the moment the audience arrive, The Vaults is transformed into a fully immersive 60s venue, with psychedelic, innovative creatives, iconic artwork and hippie flower power. With 60s themed pop up restaurants and themed drinks; plus stalls including: vintage 60s and tie dye clothes, 60s smiley badges and memorabilia, hippie wigs and flower headdresses, vinyl’s – everything needed for a legal high. The audience then move through to the theatre space for HAIR – the musical that changed the face of the modern musical.


COME JOIN THE TRIBE – HAIR

The 50th Anniversary production of HAIR transfers to London from its critically acclaimed run at the Hope Mill Theatre, Manchester.

VENUE: THE VAULTS (7AD, Leake St, London SE1 7NN)

PERFORMANCES: WEDNESDAY 4 OCTOBER 2017 – SUNDAY 14 JANUARY 2018

Previews: Wednesday 4/10 7.30pm, Thursday 5/10 3pm & 7.30pm, Friday 6/10 7.30pm, Saturday 7/10 7pm & 10pm and Monday 9/10 7.30pm.

TUESDAY to SUNDAY (no performances on a Monday)

Tuesday – 7.30pm

Wednesday – 7.30pm

Thursday – 3pm & 7.30pm

Friday – 7.30pm

Saturday – 7pm & 10pm New Saturday timings from 05/12/17 = 3pm & 7.30pm

Please note: Saturday show time changes to 3pm & 7.30pm in new booking period from 05/12/17-14/01/18

Sunday – 3pm

FESTIVE PERIOD PERFORMANCES AND TIMES STAY THE SAME

TICKET PRICES: £25 – £50

Age recommendation: 14+ (this show contains nudity)

BOX OFFICE: 020 7401 9603

WEBSITE: http://www.hair50.com

TWITTER: @Hair50London

HAIR Hope Mill Theatre production

***** The Reviews Hub: ‘Stunning’

***** North West End: ‘Astounding’

**** The Guardian: ‘Sweetly enticing’ – Lyn Gardner

**** The Stage: ‘Thrilling! Jonathan O’Boyle’s production left me walking on air’ – Mark Shenton

**** Northern Soul

**** Musical Theatre Review.

BEATRIX POTTER Musical Adventure Returns to Cumbria This Summer

Smash hit Beatrix Potter Musical Adventure Where is Peter Rabbit? returns for more theatrical magic this summer in Bowness-on-Windermere.

image001Following its world premiere and a hugely successful run at the Old Laundry Theatre in Bowness-on-Windermere last summer, the highly acclaimed family musical adventure Where Is Peter Rabbit? devised by ROGER GLOSSOP with lyrics by ALAN AYCKBOURN and music by STEVEN EDIS, returns on Saturday 10 June 2017 for 12 weeks.

The innovative show, a visual spectacular for all the family was a sell-out last year and promises even more this summer, with two new songs including an unforgettable ballad from Peter Rabbit himself. The production is a combination of live performance, image007uplifting songs, inventive staging, projection and beautifully created puppets; all designed with exquisite attention to detail, staying faithful to Beatrix Potter’s original stories and illustrations.

The new cast of six actors are: Glenn Adamson, Becky Black, Steven Hardcastle, Suzi Holland, Vivienne Smith and Victoria Sye.  Together they bring to life the much-loved characters of Beatrix Potter’s little books including the ferocious Mr McGregor, the scheming Mr. Tod, the disagreeable Tommy Brock, the headstrong and foolish Jemima and of course the adorable Peter Rabbit.   Accompanying the cast are the famous voices of Miriam Margolyes who reads the stories of Mrs. Tiggy-Winkle and Jemima Puddle-duck, and Trustee of the Old Laundry Theatre, Griff Rhys Jones who lends his voice to the Tale of Jeremy Fisher and of course the naughty Peter Rabbit.  There are also some surprise star appearances from lesser known characters; from Lucie and Ptolemy Tortoise, to the an enormous trout which swallows Jeremy Fisher and Kep the collie dog.  The captivating puppets are all beautifully hand crafted and operated by a shadow cast.

The enchanting music by Steve Edis and Alan Ayckbourn’s witty lyrics form a winning combination in the re-imagining of the five classic tales.  Renowned Theatre Set Designer and Director of the World of Beatrix Potter Attraction, Roger Glossop’s revolving stage breathes life in to the magical stories as the 60 minute production tells not just the gentle side of Beatrix Potter’s famous stories but also some of the terrifically dark, dramatic and villainous themes.

Currently shortlisted for Cumbria Tourism Event of the Year, the performance which attracted rave reviews and over 20,000 visitors to the little Theatre in Bowness last summer, is anticipating another successful season with two additional weeks of performances.

Where Is Peter Rabbit?at the Old Laundry Theatre at The World Of Beatrix Potter Attraction in the heart of the Lake District from Saturday 10 June – Sunday 3 September 2017.  Tickets available online www.hop-skip-jump.com and through the Old laundry Theatre Box Office 015394 40872.

REVIEW: Soho at the Peacock Theatre

On Wednesday May 10th I attended the press night of Soho at the Peacock Theatre in London. Soho is a mix of dance, gymnastics, and circus skills following a character through a day and night in Soho. The show features iconic areas and places such as Soho Square and China Town. The show was open to the general public as well as press and so mostly felt like attending a show as normal, with an added official photographer wandering around and a backdrop for photos to be taken against.

I had no idea what to expect from the show before it started, but as we entered the auditorium the sound of a tube creaking along was played, setting the audience up for the first scene. I thought this was a good introduction to the show, instead of having generic music playing. The first part of the show was set on a tube and as soon as it began I realised this was not your typical show. A hugely diverse cast with people from the UK to Australia graced the stage covered head to toe in colourful and exciting outfits. It was immediate to me that this show would be full of life, talent, and pizzazz.

Each performer had a specialist skill to add to the performance such as handstands, martial arts, and trapeze skills which meant that nothing seemed too similar to another part of the show. A highlight for me was Leah Wolff from Canada who’s talent was the aerial hoop. Whilst she performed in most of the other scenes, the scene in Madame Jojo’s where she was the focus point was absolutely astounding. All throughout the show I was wowed by the ability each performer had not only in their skill but in the other areas they featured in, and the way they brought their talent to the stage and made it theatrical and engaging to watch.

The two acts of the show were broken down into day time and night time, with each act being split further into certain activities for that time of day. During the show I realised that all the performers were taking on different roles within each section other than Alessio Motta who’s character stayed the same throughout as we followed him through 24 hours in Soho. Whilst I enjoyed the narrative and thought it was done in a clever way, it took me a few scenes to realise we were following him instead of each scene being unrelated. Each scene was really different and I found some more interesting than others based on the content of each one and the skills that were used. I really felt engaged in the Soho Streets scene in act 1 with all the different characters and their interactions with each other, however the following scene in the Gym was much less interesting for me as I felt it seemed much more simple and less vibrant than the previous scene.

Each scene was full of music, some specially composed by Peter Coyte for the show, and other music by popular artists. I thought this worked well as it meant every now and then you would recognise the song but it wasn’t so frequent that it was distracting. The coreography along to the music had been carefully planned out and to great success.

Overall, although I found some parts of the show less engaging than others, I thought it was a very clever, talented, and enjoyable show with a round narrative starting and ending on the tube. It was a very welcome change from my typical theatre visits and a great introduction to the world or circus skills and gymnastics on stage.

4stars

Written by Zoe Rogers

Aria Entertainment’s FROM PAGE TO STAGE Festival Listing Announced!

Aria Entertainment’s From Page To Stage (FPTS) are delighted to announce their exciting musical concerts and the eleven new musicals selected to be showcased during their Summer Festival at The Other Palace (Monday 14 August – Sunday 3 September 2017) including: musical royalty with Tony and Grammy Award winning writer Steven Sater (Spring Awakening) and Academy Award, Grammy Award winning pop legend Burt Bacharach’s new musical Some Lovers – a fully produced main house production; and titular royalty on stage in the studio, with the coming of age new family musical The Queen’s Nose by Charles Miller and Tim Sanders, adapted from the right royal author Dick King-Smith’s delightfully funny children’s book.

Fast becoming the world’s leading new musical theatre Summer Festival FPTS moves into The Other Palace, where night and day over the three weeks, the sound of music from new musicals from across the globe will be brought to life; both in the theatre and studio – and even the bar. From a record breaking 302 submissions from 15 countries, the selected new musicals will be showcased and performed by top West End performers, directors, choreographers, musicians and musical directors – showing each step of a new musical, with workshops, readings, showcases (25 minute tasters of musicals) and fully staged productions.

Andrew Lloyd Webber, owner The Other Palace says: “I am thrilled that Katy Lipson is bringing From Page to Stage to The Other Palace, in August. It buoys my hope that The Other Palace will become a breeding ground for new musicals and a genuine hub for anyone interested in musical theatre.”

The Festival will open with the slick cutting-edge Song Writers Showcase (14 Aug), giving a professional platform for some awesome new musical songs from a plethora of musical genres, very clearly showing the calibre of shows on tap for three weeks at The Other Palace.

Creating a perfect FPTS mini Family Festival in the studio (28 Aug-02 Sept), The Queen’s Nose will be one of three family shows alongside the infectious tale of Chicken Little by Jake Brunger and Pippa Cleary; and the first musical where the world of carnivores and herbivores clash in Dinostory by Luke Di Somma, Mark Anderson and Erin Carter.

The Festival includes darker musicals XY (15 – 17 Aug) by Oliver Houser: “whilst studying on my undergraduate psychology course, I learnt about the psychologically harmful, non-consensual corrective surgeries still performed regularly on intersex infants. It’s been percolating in me for 5 years….” – Christopher Dickens and Tom Wright’s Rebel Song (21 – 23 Aug), a topical love story adapted from the award-winning novel At Swim, Two Boys…… – and One Way (24 – 26 Aug), in which an astrophysicist is selected to go on the first one-way trip to Mars by Ben Bonnema and Christopher Staskel.

Other exciting musicals being premiered at FPTS include: The Edinburgh 7 (24 – 26 Aug) by young bloods Christina Tweeddale & Catherine Myers (from the band Honeyblood), the Kielty Brothers and Jordanna O’Neill – their musical of women’s suffrage and their fight to study medicine in 1866…. – The comedy musical by Chris Burgess, The Girls of Downey Hall (24 – 26 Aug) based on Jenny Colgan’s best-selling novel Class …. – Tasha Taylor Johnson (Feed Your Ego) and musical director Phil Cornwell’s Cult! (24 – 26 Aug) a comedy tale of an unlikely group of Doomsday Seekers…. – and One Day (28 – 30 Aug) by Ben Toth, Todd Almond and Anil Baral set in 1972 Northern Ireland: Catholic against Protestant, Irish against British, neighbour against neighbour….

And the headline show: Some Lovers (24 Aug – 02 Sept) – Bacharach’s first new score for the theatre since 1968s Promises Promises. Steven Sater says: “Love songs, that’s what I write. Burt and I had just written our first song together; and some months and any number of songs later I came to recognise how distinct our songs were from those ubiquitous pop anthems of young love. Ours seemed invariably to express a sort of disaffection, a disappointment, a dark joy, or the renewed determination of a more mature, mid-relationship romance. One day, in the heat of July in Los Angeles, as Burt and I laboured away on a Christmas song, I thought: what if we revisited that Depression-Era classic story, The Gift of the Magi? What became of those young Christmas lovers, twenty years after their happily ever after? And that was the beginning of Some Lovers.”

Burth

The first weekend of FPTS sees two special evenings in the Studio, with British composer Charles Miller in You Know How To Love Me (18 – 19 Aug). Joining him will be a host of West End artistes singing from his wonderfully surprising shows including: Brenda Bly: Teen Detective, When Midnight Strikes and The Return Of The Soldier – and Charles will be sharing his favourite behind-the-scenes stories.

And then the Closing Gala (03 Sept) and the icing on the cake of Aria Entertainment’s From Page To Stage Summer Festival is an evening with America’s finest: An Evening Of Songs From Spring Awakening Creators Duncan Sheik And Steven Sater. An extraordinary concert performance of Steven and Duncan’s many musical collaborations including: Spring Awakening, Phantom Moon, Nero, Alice By Heart, Umbrage, The Nightingale and A Home At The End Of The World – and maybe a sneak preview of their latest projects….. a unique ending to the world renowned festival From Page To Stage……

FPTS – From Page to Stage Summer Festival
:

Monday 14 August – Sunday 3 September 2017

The Other Palace – 12 Palace Street, Westminster, London SW1E 5JA.

Ticket prices from £7.50 – £20.

Box Office: theotherpalace.co.uk  // 020 7087 7900

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In Conversation with circus performer DANIEL ASH about his upcoming show “SOHO”

On Friday 5th May we were lucky enough to be able to get an interview with a cast member from the innovative new show Soho (at the Peacock Theatre until 20th May), Daniel Ash. In the show Daniel’s main number is a drag aerial act.

So how did you get involved with the show?

” I was doing a circus degree at the National Centre for Circus Arts. This time last year Stufish came to the school and worked with us in our second year to do a Workshop of the show. This is where we made the first version of the show which was 40 minutes then over the last six weeks we’ve been in France turning it in to an hour and half long show. I came in to circus quite late, I actually did a science degree first.”

So what got you in to the Circus then?

“Well I’ve always loved acting growing up but I always thought I should try and get a proper job. When I left Sheffield University and finished the degree I just wanted to follow my passion so I became an actor and I did a lord of the flies tour. Then I did a cabaret course at the Roundhouse for 18-25 year olds where I worked with Marisa Carneski. I also, in Soho did a stripper competition, so the combination of these two things got me in to cabaret and stripping so the last four years I’ve been on the cabaret scene with loads of different acts. I do quite a bit of drag as well, but then I saw circus cabaret show Limbo at London Wonderground and I watched the circus artists and I thought I want to do that so I started doing evening classes. Six months after that I auditioned for circus school and got in.”

So what is the main number that you’re involved with in the show?

“Throughout the show I’m a gym boy in the Gym scene and I’m in the Berwick Street Market scene but my main number is in Madam JoJo’s in the second half. It’s a really famous cabaret club that’s been going for years with Burlesque Dancers and it got closed recently because of gentrification. Quite a lot of gay places are being closed as well for the sake of building high rise flats or something. So yeah in Madam JoJo’s I play a drag queen and I do an aerial silks number to Etta James ‘I wanna make to love to you’. The training has been quite intense with the heals on the equipment it’s very tiring and the outfit is very elaborate. I have feathers on the shoulders and big blonde wig, and I have to do my make up in twenty minutes which is quite scary.”

Where do you see this show going in the future?

“I think Stufish are hoping to take this on a world tour, which will be amazing. I’ve always been really passionate about the show, like when Stufish came to the school it was obviously right up my street with the whole drag act.”

Did they scout you or did you have to audition?

“They held auditions recently but when they came to the school, they worked with our year for the workshop, but with this version they had to do auditions. So I was in the original but with this version I had to audition. It’s a really important show, though, because a lot of places like Soho and Hackney Wick, where I live, there’s a lot of stuff being knocked down, lots of flats, lots of clubs and places where I used to perform, a really iconic gay club in Vauxhall that shut down. Someone recently said to me “Soho used to be a real hub for the gay community” but it almost feels like the gays are less visible, if you know what I mean, because places are being shut down…I feel like this show is really important and a really important celebration of Soho. I worked with someone who told me that Soho was a great community for the gays, but Soho is a great mismatch of gays, straights, lesbians and queers so the show is a celebration and warning of “try not to kill off the culture” or “don’t get too much into capitalism”. We need to protect and celebrate districts like Soho.”

What, roughly, is the story of the show?

“The story follows a “Lost Man”, he’s from abroad and come to London and he gets lost in Soho. The beginning it’s this really big, spectacular opening. The audience is presented with a train heading towards them and there’s a big commuting scene with people flying through the air and it’s pretty mad.”

Why do you think people should come and see Soho?

“I think people should come and see Soho because there aren’t that many shows out there that will blow you away ten times in the space of an hour. Every scene, there’s a spectacle. There’s an amazing trapeze couple from Montreal. There’s me, a drag queen on silks. You’ll see things that are really amazing. It’ll blow your mind. It’s a wow a minute show. It’s like a cabaret, as well. There are so many acts in the space of an hour so it’s totally worth the money. The projections are amazing, also. It’s a beautiful piece to watch.”

Any words of advice for aspiring performers?

“Never give up on your dream. It’s never too late. People will tell you it’s too late, it’s not! I was sat in my sister’s car, age 24, I actually cried because I just started doing acrobatics and I couldn’t do a cartwheel. I thought “If I can’t do a cartwheel now, it’s too late.” I can do a cartwheel now! I can climb the silks! I can do flips and dangerous stuff. With the right training, you can do anything. I know someone who started circus aged 28 and they’re still going aged 45. Never give up! It’s a long road but i’ve been doing it for five years now and a lot of it is not a lot of money or long hours but it’s all worth it when it pays off. It’s better to be happy and have less money, definitely.”

The world premiere of SOHO – it’s not just a place, it’s a state of mind…..

SOHO – a thrill ride of circus, street and theatre performance re-creating the exciting, edgy and voyeuristic world of London’s Soho!

Saturday 6 May – Saturday 20 May 2017

THE PEACOCK Portugal St, London WC2A 2HT

Performances: Tuesday – Saturday at 7.30pm (no performances on a Monday)

Saturday matinee at 2.30pm (no matinee on 06/05/17)

Sunday performances at 2pm and 6pm

Tickets: £25 – £35

Ticket Office: 020 7863 8222 or www.peacocktheatre.com

MISS HOPE SPRINGS London Concert Followed by UK Tour!

MISS HOPE SPRINGS PUTS THE WIG BACK IN WIGMORE HALL: THE DEVIL MADE ME DO IT

Experiencing the whirlwind of overnight success, numerous decades after she started her career, this summer will see the West End’s most unique entertainer, the eternally youthful Miss Hope Springs, make her debut at the Wigmore Hall, one of the world’s top classical music venues – which may never be the same once Hope’s sprung there on Friday 16th June 2017 at 10.00pm, followed by UK tour.

The towering blonde ex-Vegas never-say-die show-business trouper Hope brings to the stage a pantechnicon of career wrong turnings and disastrous love affairs. A truly gifted songwriter and captivating performer, Hope will be playing the piano and singing her self-penned all original songs from her brand new LP The Devil Made Me Do It. In a virtuoso performance Hope heartbreakingly moves her audience to tears and then exquisitely makes them laugh out loud. Her new LP is “really a look back over what I call my ‘Ritz to the pits’ life. It’s a trip down memory lane and a bit like that long winter I spent in Copenhagen, back in the day making ‘art films’ it’s not always a pretty sight.”

One of the new album tracks is the previously unreleased Please Don’t Desert Us at Dessert which Hope recently found in ‘her archive’ (an old shoe box under the bottom bunk of the camper-van she shares with her husband Irving and his hairdresser pal Carlos.) “It was written especially for me by Sir Noel Coward over lunch at The Pink Pelican Casino where I was a showgirl in the early sixt – I mean seventies.” Also included in her concert will be firm favourites such as Seedy Little Nightclub in Pigalle, the riotous Zodiac Lover and the truly heart-breaking Queen of Fools.

Hope is cut from the same fabulous sequinned cloth as Dame Edna, Lilly Savage and Danny La Rue, but she responds dismissively “That’s simply a bitchy rumour put about by Goldie Hawn. She’s a nice girl – but can be a little jealous… Listen, I’ve always been tall for my height – end of story!” Hope‘s celebrity fans are as glittering as her stage wear including: Marc Almond, Julian Clary, Rula Lenska, Jonathan Ross, Fenella Fielding, The Beverley Sisters and Lady Helen Windsor.

Still wearing the sequins she left the USA with in 1972, Hope tours her remarkable new show to very selective venues around the UK from June. “I’ve played in the world’s premier rooms from The Dew Drop Inn to the Cucaracha Club, but the Wigmore Hall? My mother Rusty would have been so proud (she’s not dead – we just don’t talk anymore.) Someone said I’m putting the wig back in Wigmore, I don’t know what they’re trying to insinuate, my hair is purely a reflection of my Irish/Lithuanian/Eskimo heritage – just like my double layers of thick black eyelashes…It’s all down to good genes.”

Miss Hope Springs is a truly gifted performer and songwriter, and an accomplished entertainer in the best vaudeville tradition! – Liza Minnelli’s Musical Director Billy Stritch

Wigmore Hall – Friday 16th June at 10.00 pm

Address: 36 Wigmore St, Marylebone, London W1U 2BP.

Phone: 020 7935 2141.

Tickets: £15

Website: wigmore-hall.org.uk

Chapel Arts – Friday 23rd and Saturdat 24th June at 8.00pm

Address: St. James’s Memorial Hall, Lower Borough Walls, Bath BA1 1QR.

Phone: 01225. 461700

Tickets: £20 in advance / £22 on the night

Website http://www.chapelarts.org

Astor Theatre – Saturday 8th July at 8.00pm

Address: Stanhope Rd, Deal Kent CT14 6AB.

Phone: 01304 370220.

Tickets: £20 Website: theastor.org

Wilton’s Music Hall – Wednesday 12th and Thursday 13th July at 7.00pm

Address: 1 Graces Alley, Whitechapel, London E1 8JB.

Phone: 020 7702 2789.

Tickets: from £20.

Website: http://www.wiltons.org.uk

The Stables – Friday 14th July at 8.45pm

Address: Stockwell Ln, Wavendon, Milton Keynes MK17 8LU Milton Keynes.

Tickets: £20

Phone: 01908 280800.

Website: http://www.stables.org

Komedia – Friday 21st and Saturday 22nd July at 8.00pm

44-47 Gardner St, Brighton BN1 1UN.

Tickets £15 / £12.50 cons.

Phone: 0845 293 8480.

Website: http://www.komedia.co.uk

Miss Hope Springs is the creation of composer, lyricist, pianist and comic actor Ty Jeffries son of the late British screen legend Lionel Jeffries who starred in many films including Chitty Chitty Bang Bang and wrote and directed The Railway Children. Ty’s formative years living in Tinsel Town lend authenticity to his multi-layered portrayal of fading glamour-puss Hope.
Ty is a classically trained pianist (Purcell School) and for the last 5 years his glittering alter ego has been starring in London’s West End top cabaret rooms and in the cabaret rooms and theatres of New York, LA and San Francisco.

REVIEW: The Life at Southwark Playhouse

This review may be slightly late, the show may have a few weeks left, BUT this is a show not to be missed.

The Life tells the story of the seedy underworld of New York City in the 80’s, most prominently it tells the story of Queen, a prostitute, and her failing relationship with ex-soldier Theodore. The songs are woven together by small sections of dialogue and acting.

The book, by David Newman, Ira Gasman and Cy Coleman (revisions by Michael Blakemore) doesn’t stand out at all in this piece. It’s a needed piece of the show, and the show couldn’t flow without it but it was just so dull. What does stand out about the piece are the songs. The music and lyrics, by Cy Coleman and Ira Gasman really express the characters in a very tasteful way, yet the music doesn’t take away from the energy of the gogo dancers, strippers and prostitutes.

The most memorable song from the piece was “My Body” which is sung by the prostitutes, Chi Chi, Sonja, Carmen, April, Tracy, and Queen, played by Jalisa Andrews, Sharon D. Clarke, Aisha Jawando, Charlotte Reavey, Lucinda Shaw and T’Shan Williams, respectively, about how their bodies are their own properties and how they choose to use it (in this case, selling it) is not anyone else’s business. I found this number extremely empowering and I’ve not heard prostitutes being talked about in such a positive way in musical theatre. I loved it.

The standout performance for me was T’Shan Williams as Queen. She played the role with such great emotion, and she made the most of what was, essentially, a bland script. Her vocals were seriously on point in all of her songs and I couldn’t fault her performance whatsoever.

The other awesome woman in this performance was Sharon D. Clarke as Sonja, an aging prostitute who realises “the life” isn’t what it used to be. Her vocals were sensational and she really made the part her own throughout the piece. She was comedic when she needed to be as well as serious during the darker moments of the show.

Cornell S. John played Memphis, a ruthless and brutal pimp to the ring of prostitutes. He was horrifying, and sitting front row I could really the tension on stage whenever he walked on. His vocals, again, were really something and he had the right mix of frighening and funny.

The choreography was another extremely strong part of the show. From the very beginning we’re introduced to the bustling streets of New York and the dancing was brilliant. Excellently choreographed by Tom Jackson-Graves, each little part of choreography was insanely detailed, from a shoe shine to a strip club.

Director Michael Blakemore returns to The Life after directing the show on Broadway way back in 1997. The direction was brilliant…from what we could see from it. The direction was really focused towards the front so anyone sat on one of the sides like we were usually gets the back of heads or sides of faces, however we could tell what the performers were doing because of their body language and that was an extremely strong point I felt throughout the whole show. Blakemore has directed them to have such amazing body language so that even when the character isn’t singing, dancing or saying anything you could tell exactly how they were feeling.

Overall, this show was brilliant. A little bit rough on the edges but it is very worthy of a West End transfer and if it doesn’t transfer they’ll be getting some very angry emails from me. Don’t miss this phenomenal show.

Nathan xoxo

The Life runs at Southwark Playhouse until 29th April 2017.