Reviewed by Annie Zeleznikow
Before the show began, a collection of middle eastern, French and South Asian songs played as the small crowd filled up the theatre. there was a cabaret-like set up close to the stage, with small tables and chairs. There was a life-size paper-mache member of the press propped at the back of the audience. I was nervous coming into the show, as theatre is ordinarily my escape from reality, and this shows only promise was to include the antics of the 45th United States President (Ezra Barnes).
The show starts with Donald telling his young son, Baron, a night-time story. It was a classic story, filled with graphic descriptions of ISIS beheadings. The show continues on this path of crude and overwhelming themes, as Donald becomes violent with his youngest child. This show was not quite funny, rather it was overwhelmed by silliness and left me feeling a bit uneasy.
Unlike SNL and The Late Show with Seth Meyers, Transparent Falsehood: An American Travesty pushes aside topical humour and interesting news stories for a darker and more confusing storyline. In reviewing the notes, I took during the show, I am unable to discern a coherent story. The show continues with disturbing images and jokes that diminish any humour or clever observations within the show.
There were several one-liners included in the show, which were meant to be funny but fell flat. Trump, in his imagined HBO special claims that the queen was so excited by his show that “she started menstruating again”. This crude humour adds nothing to the play, and although clearly trying to entertain the audience with a realistic tweet-like line, I am left with a foul taste in my mouth.
I found that ultimate this was a show that believes it is making an intelligent point while only confusing and convoluting reality. It is a strange collection of scenes that develops no singular plot or theme. The vulgarity and harshness of this show did little justice to the possible intelligence hidden beneath some jokes.